NAZARLI is a company I set up recentely. NAZARLI offers you stylish, elegant, simple interior decor items designed with respect to Islamic artistic tradition.
So I start with handmade decorative plates. High quality tableware made in England is on its way. Then it is going to be hand printed home textiles and lighting. Really looking forward to it and very excited! Hope you too)))))))
Made some sketches on African theme. Don’t know how to use them for textile design yet, need to wait for some enlightment.
Original African textile designs are simple and have a sense of rythm. Tribal culture in general is very much based on ‘rythm’, probably reflecting a heartbeating. Have a look on my African textils collection on http://www.pinterest.com/marinaalin/african-textils/ if you’re interested.
I took my drawings of forest fruits – berries, hazelnuts, wild mushrooms, and pine cones – to create these designs. I wanted them to look sketch-like and airy. I wanted to treat gifts from the forest delicately. Forest was always kind to people providing them with food, and with wood to build and warm up houses. Woods are also a source of fresh air and a home for wildlife. Let’s be thankful to forests.
Came across a nice drawing in my geometry workbook. Thought it might look interesting on fabrics. The constructions starts from seven intersected circles – one is in the middle and six around it. This composition is called flower of creation … Continue reading →
These drawings are based on traditional geometry of a stained glass window – four circles are placed inside a large one, as if four essences united by one idea. In Christianity number four is associated with four Evangelists, who represent … Continue reading →
I made this design after a trip to Baku (Azerbaijan). There are lots of 8-fold geometry decorations around the Old town. I ment this design to be masculine, with elements of steel, wood, emerald and mother of pearl.
This is the first real design I made. Saying ‘real’ I mean that I used my imagination and went experimenting with different ways of filling up the space and colouring it. The basis is traditional Islamic geometry which can be found on walls of mosques and on other Islamic art objects.
My goal was to make it closer to European perception leaving the pronciples of divine proportion untouched. I feel like I made it, so far it is one of my favourite works.