NAZARLI decorative plates

NAZARLI is a company I set up recentely. NAZARLI offers you stylish, elegant, simple interior decor items designed with respect to Islamic artistic tradition.
So I start with handmade decorative plates. High quality tableware made in England is on its way. Then it is going to be hand printed home textiles and lighting. Really looking forward to it and very excited! Hope you too)))))))

NAZARLI web site is

Сайт NAZARLI на русском


Here are some of NAZARLI plates. For the whole collection – see web-site

plates by NAZARLI flower-2-1ottoman wildlife NAZARLI plates by NAZARLI  Nazarli plates


Forest Gifts design

I took my drawings of forest fruits – berries, hazelnuts, wild mushrooms, and pine cones – to create these designs. I wanted them to look sketch-like and airy. I wanted to treat gifts from the forest delicately. Forest was always kind to people providing them with food, and with wood to build and warm up houses. Woods are also a source of fresh air and a home for wildlife. Let’s be thankful to forests.

forest gifts mood_

Forest gifts. Hazelnuts

Forest gifts. Mushrooms

Cold Harmony design

The inspiration came to me from the harmony of coexistence of natural and artificial shapes. The rectangular shape reflected by the sea I saw in Baku was a first impression that started the story. It was in December so the sea was cold. Then I started to develop the theme of cold harmony. Flowers emerge first in spring when nights are still cold. Steel that is always cold but has a beautiful shine. Grey-green winter sea,  waves are coming and coming because of the constant wind. I also came across a picture of a Chilean man wearing woven poncho with a pattern of repeated rectangles which I liked very much. That is how the final “Cold Harmony” pattern was born.

P.s. Picture for the mood board by Joanna Perez Ray for HandEye and by Marina Alin. Painting by Albena Vatcheva

cold harmony

Cold harmony Cold harmony

Design variation

Cold harmony in lines Cold harmony in lines

Design for plates

Cold harmony plate

Cold harmony plate

Cold harmony plate

Cold harmony plate

Cold harmony plate

Go wavy. Scallop design story


This gallery contains 22 photos.

Mosaic floor from Tunisia, showing Medusa in the center.  Mosaic fragment  from Antakya Archeological Museum, Turkey, 3rd century A.D. Patterns of both pieces are based on the shape of the ‘scallop’ and the design was widespread in Roman and Byzantine … Continue reading

Carnation motif in mosaics


This gallery contains 41 photos.

Mosaics as a traditional art technique represents the fundamental principle of the universe – unity in diversity. All creatures consist of cells; cells from molecules, molecules from atoms, and the atom is a basic unit of matter. So the principle … Continue reading

Weaving in clay – square tile Zillij


This gallery contains 53 photos.

Tile decoration of mosques always looks like a carpet for me.  Painted with biomorphic design tiles symbolise Paradise. Square tile pieces, usually small, when put toghether form a patterm that remind me of rugs, or kilims.  Being fasinated with the decoration … Continue reading

Zillij – The art of ceramic lace


This gallery contains 20 photos.

In Arabic cut-tile work is called Zillij. This work I made on the 2nd year of my Masters and it is a copy of a zillij panel in the Jame Mosque of Yazd (built in 1330-1365 AD). Zillij is basically … Continue reading

Garden theme

Came across a picture of a lovely plate made by Islamic masters of Mawarannahr in 10th century. Most likely the flowers depicted were roses because of a tiny spiral in the middle. I like roses and they remind me of English gardens. So I draw the bouquet motif in Illustrator and used my English garden colour palette. As a result I’ve got a design for, lets say a wallpaper, and a couple of border designs.ImageImage




Turquoise melody


This is the first real design I made. Saying ‘real’ I mean that I used my imagination and went experimenting with different ways of filling up the space and colouring it. The basis is traditional Islamic geometry which can be found on walls of mosques and on other Islamic art objects.

My goal was to make it closer to European perception leaving the pronciples of divine proportion untouched. I feel like I made it, so far it is one of my favourite works.